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Wednesday, September 17, 2014

Interview and Giveaway with VM Gautier


1. Please share a little about yourself, your genres, any other pen names you use.

VM Gautier is a pen name. For now, I'm keeping my "true" identity and my pen name separate. I don't want to say too much about the real me as a little mystery is not a terrible thing, but I won't make things up either, as that could get me into trouble. I'm not trying to pull a fast one. There's just something freeing about being anonymous. It's a trope in a lot of plays, operas and novels that people are never as free or themselves as when they wear a mask.

2. Tell us a little about your latest or upcoming release.

Love to!

19th century Paris' most infamous party-girl is undead and on the loose in the Big Apple. My latest release (and the only one as VM Gautier) is Blood Diva, an urban fantasy set mostly in contemporary New York. It tells the story of a vampire who is based on a real historical person -- Marie Duplessis. Marie was a courtesan who died at age 23 of tuberculosis. After her death, Alexander Dumas fils, the son of he author of The Three Musketeers wrote a novel based on their affair. Because of her notoriety and his celebrated father, it became a hit. He wrote a play and then the Italian composer Giuseppe Verdi created the opera La Traviata, which is probably being performed somewhere in the world right now. In Blood Diva, Marie accepts (or is coerced) into immortality even though it means she'll need to kill to survive. She adjusts to her new "life," but it's one without meaning -- simply flitting from pleasure to pleasure. When she has a shot at true love, she's ready to sacrifice everything.

3. When you’re not writing what do you do? Do you have any hobbies or guilty pleasures?

Not sure it's a guilty pleasure, but I LOVE travel. I'll go almost anywhere. When you say, "road trip" I'm as excited to get in the car as a puppy, and believe me, if I had a tail, it would be seriously wagging. I'll go anywhere -- domestic, foreign, city or country. I don't have a fear of flying, but hate to feel boxed in on a plane. If I had the money, my guilty pleasure would be flying first class -- or at least business class. Hell, I'd settle for economy comfort. That's living!

4. Is there a genre(s) that you’d like to write that you haven’t tackled yet?

Blood Diva is my first urban fantasy/vampire novel. It's also my first published work with a fair amount of erotic content. The sexy stuff proved more difficult to write than I would have thought, but I don't see how you could write a vampire version of Marie Duplessis without lots of sex. If I were going to try something completely different, I'd love to write a good romantic-caper story. I'm a fan of classic-films like The Thomas Crown Affair (either version), Charade, and The Sting -- although that's more bromance than romance. I love those circa 1950's or 1960's stylish movies with crime, danger, comedy, and romance. I'd love to write something with an unabashedly happy ending.

5. Of all the characters you’ve ever written, who is your favorite and why?

At the moment, I'm not over my love affair with Marie Duplessis, or rather my version of her. She's selfish, manipulative, a liar and a murderer many times over, but she's also a lot of fun to be around. She may have cheated death, but life cheated her, so it's easy to feel some sympathy, and despite her beauty and allure, finding happiness has not been easy.

6. What book are you reading now?

I'm reading The Good Lord Bird by James McBride. It's historical fiction -- no romance or paranormal shenanigans. It's very funny and also dead serious. The tone reminds me of Huckleberry Finn and Little Big Man -- two classics I'd also recommend. It's one of the best books I've read since the last book I read.




Blood Diva
VM Gautier

Genre: Urban Fantasy

ISBN: 9781620154663

Number of pages: approx 450.
Word Count: 120,000

Book Description:

The 19th century's most infamous party-girl is undead and on the loose in the Big Apple.

When 23 year-old Parisian courtesan, Marie Duplessis succumbed to consumption in 1847, Charles Dickens showed up for the funeral and reported the city mourned as though Joan of Arc had fallen. Marie was not only a celebrity in in her own right, but her list of lovers included Franz Liszt – the first international music superstar, and Alexandre Dumas fils, son of the creator of The Three Musketeers. Dumas fils wrote the novel The Lady of the Camellias based on their time together. The book became a play, and the play became the opera La Traviata. Later came the film versions, and the legend never died.

But what if when offered the chance for eternal life and youth, Marie grabbed it, even when the price was the regular death of mortals at her lovely hand?

In 2014, Marie wonders if perhaps nearly two centuries of murder, mayhem, and debauchery is enough, especially when she falls hard for a rising star she believes may be the reincarnation of the only man she ever truly loved. But is it too late for her to change? Can a soul be redeemed like a diamond necklace in hock? And even if it can, have men evolved since the 1800′s? Or does a girl’s past still mark her?

Blood Diva is a sometimes humorous, often dark and erotic look at sex, celebrity, love, death, destiny, and the arts of both self-invention and seduction. It’s a story that asks a simple question – Can a one hundred ninety year-old demimondaine find happiness in 21st century Brooklyn without regular infusions of fresh blood?

Excerpt IV -- General audiences, no triggers, no profanity, no violence, little suggestiveness.


(Author's note: The main character's birth name is Alphonsine. She's known in the present as Camille.)

The hostess told them the other party had already been seated and walked them toward the back section. Heads turned as they passed. Alphonsine recognized the man sitting alone at the corner booth although she’d never seen him in person. It was David Alexander, her lover’s father. He kissed her hand as she arrived at the table, “Enchanté, mademoiselle,” he said.
She looked at both men, and couldn’t help noting how strange it was that Dashiell and David bore the same resemblance to each other as her Adet had to his father, Alexandre Dumas, père. In both cases, the father was a shorter, broader, courser, less handsome older version of the son. In this case, add to a poorer diet, and probable alcoholism.
They had run into each other on the plane.
“What brings you to New York?” Alphonsine asked. She noticed the intensity of the old man’s gaze. She caught something from him – the smell of fear. Not what she would have expected. It excited her.
“He came to see a cardiologist,” Dashiell answered for him.
Alphonsine looked alarmed. “You have a problem with your heart?”
“Not really. Just the usual complaints of all American males my age. The problem is they have me on a medicine that prevents my being able to take a medicine also popular with American males my age.”
She laughed. He took a sip of the scotch in front of him. The waitress came by and they did the best they could with the limited vegan wine menu – vintners she hadn’t heard of who used no bone or other animal products in their filtration process. As it didn’t affect her kind’s prohibition against dead blood, she didn’t usually worry about how her wine was made.
They ordered appetizers. David made remarks about this being his first vegan dining experience, something he might need to get used to, as it was working out so well for Clinton and others. She noticed him staring at her mouth as she popped in a piece of fried artichoke. Then he caught her watching him and looked away.
“How long have you been a vegan, Camille?” He asked.
“Awhile,” she said. “Unlike Dashiell, for me it wasn’t so much a moral issue. It’s a good way to stay slim.”
“That doesn’t look like it would be a problem for you,” he said, and then after a moment continued, “So it doesn’t bother you, killing for food?”
“I probably differ here from your son,” she said, looking over at Dashiell. “I don’t think it’s necessarily wrong, but the conditions on factory farms are cruel. There’s no reason for that.”
“And you’d have no trouble with hunting then, if you ate your prey?”
“I suppose not,” she said, trying to sound thoughtful. “I’ve never been. Have you?”
“A few times,” he answered, “a few.”
She hoped the subject would change, though she didn’t want to initiate it. The old man continued, “In fact, I was hunting once with your mayor.”
“Piccolini?” Dashiell asked.
“The same. But that was back before he got really rich when he was a mere-multi-millionaire.
“Camille’s met him,” Dashiell said.
“Oh yes,” David said, “I seem to recall something on the Internet.”
“Just at some events for the gallery,” Alphonsine said as lightly as she could. “Are you close friends?” She asked as their entrees arrived.
“I haven’t seen him in a few years. Meeting him for lunch tomorrow. Shall I tell him you say hello?”
“If you’d like. I doubt he’d even remember me.”
“I’d think you’d be very difficult to forget,” David said.
They talked throughout the meal, never touching on anything personal. If not for the resemblance, she noted to herself, no one would have known the men were related. By the time they were waiting for dessert, the subject had turned to the west versus east coasts.
“Liz Taylor used to say that New York had the shopping, but Los Angeles had the weather.
“You knew her?” Alphonsine asked, sure he would claim he had. He’d been dropping famous names casually into the conversation all evening. Still, there was something about the old hack she found charming.
“I’m sure less intimately than you know the mayor,” he teased.
“I think Camille looks like a young Elizabeth Taylor,” Dashiell blurted.
“Liz was a little more …” David moved his hands to indicate large breasts, “And she had those light eyes. Camille’s an Audrey Hepburn type, a bit Holly Golightly.”
She wondered exactly how he’d meant that, but Dashiell, who’d probably never seen the movie, didn’t catch it.
“Oh, Dashiell thinks I look like everybody,” she said. “Who did you say the other day? Louise Brooks? And then we were watching some old movie with Jennifer Jones.”
“You sound a bit like Jennifer Jones, that wispiness, but I’ll go with,” David paused a moment, “Maria Callas. The dark hair and eyes, that slightly exotic look. Of course, your nose isn’t so ethnic.”
There was something in his tone that sounded rehearsed.
“It’s funny tha … ” Dashiell began.
“Maybe we should take this conversation elsewhere? An after dinner drink? Or we could show you around Brooklyn,” Alphonsine interrupted, hoping to derail the topic.
“Great idea,” David said. “We can go in five minutes.” He signaled the waiter for more coffee. “What were you saying, Dashiell?”
“It’s funny you mentioned Callas,” he said, turning toward her, “This one actually got me to go to an opera.”
“Really, are you a big fan, Camille?” David asked, staring at her intently.
She’d heard him pause briefly before he said her name. Whatever was happening was not her imagination.
“My boss always gets tickets for clients,” she said.
“How European.” He turned to his son, “What did you see?”
La Traviata,” Dashiell said.
She was desperate to stop the conversation, but every means she thought of seemed so obvious, and a strange sort of mental paralysis had set in.
La Tra –vi –ata,” David repeated, nodding, looking down. She noticed his lips curl just slightly into a smile, but by the time he looked up it was gone.
“You want to know who she really looks like?” Dashiell asked.
“Dashiell, David, I wish you guys would talk about something else besides women I resemble. It may be less complimentary than you think.”
“I’m sorry if we’re making you uncomfortable. Of course, we should change the subject, but I think I know where my son was going with this. As soon as he told me your name, and showed me a photo, I made the connection, maybe because you’re French. Has anyone commented on your resemblance to Marie Duplessis?”
She had killed men for less.
“But you actually remind me of a woman I only saw once,” he continued.
“That sounds intriguing,” Dashiell said.
“I mentioned Callas before. ” David took a sip of coffee and leaned back in his chair. “I met her. Maybe that’s an exaggeration. It was summer, 1966. I was traveling, part of my writer’s education. Young, unattached. A proto-backpacker, drifting through Europe on a few dollars I’d earned, a meager advance on my first book. On Mikados, I’d met a young German, equally adrift between university and further studies. Bright guy. Funny as fuck, for a German. Excuse my Fren uh language. He was torn between medical school and pure sciences. Three generations of doctors, so there was some family pressure, and there was a girl waiting for him he wasn’t quite sure he wanted to marry.”
“You remember a lot about him,” Dashiell said.
“It’s stayed on my mind.” He breathed in deeply. “We somehow wrangled our way into a party on a yacht. I’m a little fuzzy how, but it involved some girls we’d met on a beach. She was there, Maria Callas.”
Alphonsine had an idea how the story might end. She was trying as hard as she could to get into his brain, project a thought, give him a headache, or something, anything to distract him, but she felt blocked.
“She was surrounded by her own clique most of the time. There was this one young woman. I thought at first she might be related to La Divina, as they called her. They had similar features. She looked very much like you, Camille. Very much.”
“They say everyone has a double somewhere in the world,” Dashiell said.
“I got close enough to hear part of their conversation. They were speaking French, and mine wasn’t great. She even sounded like you,” he said looking at her, and then quickly turning his eyes to his son, pausing like he was trying to remember something. “Callas was saying how she wished they’d met when she was younger. Her new friend seemed to her a perfect model for Violetta Valéry. ‘Violetta, c’est toi.’ I remember her saying that. Something about the way she moved, and smiled, an inner light she had, and how she so casually broke hearts.”
“And that’s one way we differ,” Alphonsine said. She looked over at Dashiell. “My heartbreaking days are over.”
“Tristan, that was my friend’s name. Tristan Schiller, he somehow caught the young lady’s eye. He was a handsome guy. Not as good looking as this one I’m sitting across, but a similar type.”
“I’m sure you were quite the lady’s man as well, David.”
“Maybe,” he said, “I recall leaving with a red-head.”
“And your friend with the brunette?” Dashiell asked. He turned to Alphonsine and said playfully, “Good thing I don’t get jealous.”
“I saw them having what looked like an intense conversation. I can’t be sure they left together. I just have a hunch.”
“A hunch?” Alphonsine asked. “I guess he wasn’t the type to kiss and tell.”
“He disappeared.”
“Disappeared?” Dashiell asked.
“We were staying in a hostel, dorm style. I didn’t make the curfew. But in the morning I went back to get my things. He wasn’t there. We had tickets for a ten a.m. ferry to Cyprus. I thought about taking his stuff in case he was running late.”
“He didn’t make the boat?” Dashiell asked.
“No, he didn’t.”
“Maybe he got very lucky,” Alphonsine said looking at Dashiell. “Maybe they ran off together and had lots of babies.”
“I don’t think so,” said David, “although I was pretty sure it was something like that at the time. I thought we might catch each other later, at the next port of call. We’d discussed some possible itineraries. Nothing was settled.”
“But you didn’t see him again?” Dashiell asked seriously, following something in his father’s tone.
“No, no I didn’t.” He looked like he might go on with his story, but then he said, “Let’s get out of here. Go somewhere we can drink.”
They stopped at an old writer’s bar in the West Village, then went on to another couple of places. They ran into a few people David knew but hadn’t seen in years, as well as strangers who recognized him and wanted to buy a famous writer a drink. The old man introduced his son and “the lovely” Mademoiselle Camille St. Valois. There was little real conversation. Mostly, Alphonsine and Dashiell listened to his stories, none of which had anything to do with his offspring. They might as well have been fans on whom he was bestowing the gift of his presence, yet Alphonsine was certain he loved Dashiell in his way. What else could explain that underlying anxiety? Which she now understood came from his suspicion of her.
What he thought and what he could prove were different things entirely. Creative minds were capable of great intuitive leaps, but what could he know of her true nature? If he went to Dashiell what would he say?
“Have you ever seen your girlfriend in daylight?”
The answer would be yes.
“Have you seen her eat food?”
Again, yes.
“Has she entered a residence without being invited?”
Well, that would just be rude wouldn’t it?
The myths kept her safe. Yet, he might need to be dealt with, which wasn’t something she wanted to do. Dashiell seemed so happy to be with his father. She knew what it was like to have neglectful parents. One loved them no less. And when they reached out even a little, as David was doing, the grudges melted away.
If something needed to be done, she would ask Pierre to help. Of course he’d chide her, remind her this is what comes from getting too close to mortals, from living too much in the spotlight. But he’d come through and make sure the old man’s end was quick and painless, and then she’d do what she could to comfort her lover.
By the end of the evening, David was slurred and sloppy, so they rode with him back to his hotel. Dashiell escorted his father into the lobby and let a bellhop take it from there while she waited in the taxi. They were quiet most of the ride back to Brooklyn.
“A kiss for your thoughts,” he said leaning over and pecking her cheek.
“I was just thinking how cute you must have been as a boy,” she answered.



About the Author:

VM Gautier is a pseudonym. This is not the author's first book, but it is his or her first book in this genre. You haven't heard of him or her.




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