Excerpt:
Dressed as formally as his casual wardrobe allowed, Grayson arrived sans tie at the staff entrance of a local banquet hall. It was only a few blocks away from the three-story building where the newspaper had occupied for nearly a hundred years, and a short walk from his one-bedroom apartment he shared with a fluffy cat named Duke. The streets were wet from a rumbling rainstorm that had decided to take a short break, much to Grayson’s luck. Sparkling Christmas lights shimmered in puddles, covering the cobblestoned alley with a palette of cozy holiday hues. The banquet hall was similar in neo-Gothic architecture as the old newspaper building. Locals swore the place was haunted just by the sight of it. Secretly, Grayson hoped it was.
He rang the entrance bell and waited, shifting his weight from foot to foot. When there was no response, he rang again. Finally, the old door creaked open, revealing a scruffy man in a tuxedo, sporting large, black-framed glasses. The man eyed Grayson for an explanation for this intrusion.
“I’m Grayson Lane,” he said. When that didn’t get him invited inside, he continued. “I’m here to interview Sergio Cavallo.”
“You’re a reporter?” the man rumbled in a gravelly voice. For a moment, Grayson half-expected to see the swirl of cigarette smoke in the air as if he’d somehow stumbled into a classic film noir.
Sir, are you related to Humphrey Bogart by any chance?
“Yes, I am,” Grayson explained, shivering.
The man glanced him over and said, “You look like a delivery boy.”
“Thanks,” he muttered. “May I see Sergio now?”
With what looked like reluctance, the man with salt and pepper wavy hair nodded and pushed the door open wider. It creaked again and Grayson couldn’t help but wonder if the spooky sound was a warning.
Once inside, Grayson was led down a series of dimly lit corridors, all with walls adorned with framed paintings of the Scottish founders of the city and, apparently, the ones responsible for the building they were moving through.
Finally, they stopped. The man in the tuxedo knocked on a door before entering. He looked back and said to Grayson, “Come. Mr. Cavallo is waiting for you.”
Pausing for a moment in the hallway, Grayson drew in a steadying breath, reflecting over the hours of research he’d conducted to prepare for this assignment. Exhaling, he opened the door and entered the room. Glancing around, Grayson determined he was standing in the center of a private lounge that was trying hard to be swanky but really looked like the set of an adult film, complete with dimmed lighting in not-so-subtle shades of hot pink, electric blue, and amber. The furniture was leather, and the carpet looked thick and soft.
Positioned as if he were sitting on a throne was Sergio Cavallo, looking rather distinguished in a fashionable blazer, slacks, and crisp white shirt with the top two buttons undone to reveal olive-tinged bare skin. The dark-haired Italian boxer looked like the undefeated boxing champ that he was, The King of The Ring as many commentators appropriately referred to him. No wonder many had fallen under his spell.
What Grayson wasn’t expecting was how flushed he felt when Sergio looked into his eyes and with a delicious and very inviting smile said, “Well…hello. You’re not what I was expecting.”
Trying to ignore the butterflies fluttering inside of him, Grayson held Sergio’s stare and responded confidently, “And neither are you. I’m Grayson Lane.”
The boxer leaned forward. His dark brown eyes held an expression of tenderness, despite his savage reputation of being a beast of a boxer. His facial hair was a few shades lighter than the almost jet-black hair on his head and looked like a modern version of a Van Dyke. “I’m curious,” said Sergio. Grayson felt the man’s eyes wash over his body as if he were drinking water from his pores. “Grayson, am I somehow a disappointment?”
Grayson spied an empty chair directly across from Sergio. Not waiting to be asked to sit, he took a seat, sinking into the soft leather. The comfort of the chair soothed his nerves, grounding him in the moment. “Not at all,” he said. “It’s not every day I get to interview a champion.”
Seeming satisfied with Grayson’s answer, Sergio grinned. “I like you,” he noted.
“Give it time,” Grayson countered with a playful tone to match the smile on his face.
“I’m ready when you are,” Sergio said, his words dripping with hot innuendo. “For the interview, I mean.”
The Creatively Green Write at Home Mom
Creatively Green is the blog of freelance writer, avid crafter, and La Mamma Verde (the green mom), Wenona Napolitano. This blog features everything about her creatively green life from green crafting to eco-gardening, green parenting and green living in general. You will also find articles on writing, being a mom writer, and see guest posts from authors. Full of green musings, eco-product reviews, book notes, eco-friendly crafts and so much more.
Tuesday, December 16, 2025
Poetry Corner with Wren Valentino #MMRomance #Poetry
Monday, December 8, 2025
The Princess of the Wraiths by Peregrinus Hierusalemsis
FREE Download at Scribd
Excerpt:
Regarding death, my grandmother
Lorenza used to tell me an anecdote that happened to her while she was a kid.
She was an orphan, so she went to live with her grandmother, who became her
primary caregiver. My great-great-grandmother lived in Los Ranchos de San José,
a village close to Villa Guerrero, State of Mexico. In her house, there was a
black cherry tree (Prunus serotina). One night, a great horned owl (Bubo
virginianus) perched on a branch of the tree and started to vocalize. My
great-great-grandmother thought that such an event was an omen. She claimed
that meant that she would soon die. Thus, she told Lorenza to do whatever she
could to scare the owl. My grandmother Lorenza was unable to scare the owl. The
owl vocalized in the same place for several nights, and my
great-great-grandmother died less than a month after the owl started hooting. After the burial, Ismaela arrived to tell her
niece Lorenza that she should leave the house to go to live with her, as
Lorenza was still a kid. When both were leaving the house, Lorenza claimed that
she did not want to leave the building, as she was able to listen to the
ghostly voice of my dead great-great-grandmother who was calling her inside…
According to the Graeco-Roman
Olympian religion, Ascalaphus was an angel of the Hades God. Hades is the
dwelling place of the souls of the dead. The task of Ascalaphus was to snatch
the souls of dying people to Hades. Ascalaphus was transformed into an owl by
Persephone the Kore, the queen of Hell. Since then, owl Ascalaphus has visited
dying people before they finally died. That is why Pliny the Elder stated in
his “Natural History” that the Eurasian eagle-owl (Bubo bubo) was an
extremely bad omen. Spanish bishop St. Isidore of Seville transferred this
superstition to Christian Catholicism in his book “Etymologiae.”
Wednesday, November 12, 2025
Cover Reveal: Selecting The Wrong Love by E. Masson and Julie G. Henry
Wednesday, October 15, 2025
New Release: Guarded Time by Stephanie Hansen #NewRelease #Historical #Romantasy
New Release
Outlander Meets What the Wind Knows with a
Dash of The Tudors
Guarded Time
Stephanie
Hansen
Genre:
Historical Romantasy
Claudia,
Alex, and Marie embark on a perilous journey back through the swirling mists of
time, their hopes pinned on averting a looming tragedy. As they navigate the
tangled web of history, vivid memories of Alex and Claudia’s enduring love
flicker across the timelines, a testament to their unyielding bond. Their
destination is the tumultuous Ireland of 1649, a land poised precariously on
the brink of siege. It is a treacherous era to traverse, where danger lurks at
every corner.
In
their quest, they immerse themselves within the ancient covens, becoming an
integral part of the tightly knit community of Drogheda. The air is thick with
tension, the kind that crackles and hums, as they wrestle with the monumental
task before them. Caught in the crossfire of history, they face the daunting
challenge of halting the impending slaughter of the town while grappling with
the complex emotions tied to saving the beloved of their sworn nemesis.
As
the stakes grow ever higher, the question looms large: will the timeless love
between Alex and Claudia endure the trials they face, or are there formidable
forces at work beyond their control, threatening to unravel the very fabric of
their shared destiny?
https://www.amazon.com/dp/B0FLQP9MSP/
#ReincarnatedSouls
#TimeTravel #GirlSquad #Sorcery #ItsAlwaysBeenYou #SoulMate #Romantasy
#HistoricalFiction
Monday, October 13, 2025
Poetry Corner with Kimber Grey #PoetryCorner
Too Good to be True
Withered soul and wicked heart, and mind foul, sharp
and chill.
Where once a human dwelt himself, a monster lies
instead.
How come such a loathsome soul, that once was pure now
ill?
The tale is long, the story short, e'er played inside
his head.
-
Once a love he had to claim, so fair, and kind, and
true.
And once he lived among his own; he laughed and dwelt
in peace.
Much they did not have to own, nor any sins to rue.
They made a life within their means it seemed would
never cease.
-
Hand in hand they faced the world when trials came to
bear.
Though wavering in doubt and fear, they never bent a
knee.
Weakened by their sore ordeals, his joy now came but
rare.
Yet she could find the light in dusk and tried to help
him see.
-
Every day he grew to fear from whence her strength now
came.
He couldn't find in her a fault, and yet in him there
were.
'Secrets she must have from me',
to mirror he'd declaim.
A seed of doubt became a vine that love could not
deter.
-
Long into the nights he thought, imagining her mind.
'From where do all her smiles come?' he queried
to the black.
'No, I cannot be her bliss; not handsome, wise, or
kind.'
'Another man has robbed her heart; I'll never win
her back.'
-
Once he could no longer bear to see her smiling face,
He stopped her then demanding firm, "What man has
smitten you?"
She touched his cheek and kissed his lips, her smile
sweet and chaste.
No quick defense she simply said, "Can you not
see I'm true?"
-
For a time his heart found peace, her words a soothing
balm.
So many nights he closed his eyes and dreams were all
he knew.
When his judgment brought no strife, and she was ever
calm,
He asked again, and she replied, "Can you not see
I'm true?"
-
Every time she reassured, his peace endured but less.
Yet she was ever calm and cool, and never showed him
scorn.
Where she found support and love, he could not help
but guess.
Imaginings he found so bleak, in silence won't be
borne.
-
Competition, real or ghost, tormented all his thought.
He could not bear to lose his love, but knew they
could not stay.
Eager still to prove her love, she asked him what he
sought.
He bought a home in deepest wood, and moved his love
away.
-
Once again his dreams were calm, his nights were sound
till day.
'No men for miles all around, my wife is all my own.'
Solitude she took to well, singing soft and gay.
And never did she seem to care that they were all
alone.
-
She was up before the dawn, bid morning to the sun.
Before he rose, his meal was made, her smile warm and
bright.
When the strain she should have shown, of cares she
e'er had none.
Suspicion grew anew in time and mounted every night.
-
Gates and fences strong were built to let none out or
in.
Yet silent she remained in this as paranoia grew.
"Happy are you every day! You must conceal
a sin!"
She shook her head and held his hands. "Can you
not see I'm true?"
-
Hideous his dreams became, till he could find no rest.
In spite of all his nagging woes, her songs still
filled the air.
Every day he was aware she could not love him best.
'So, someone else has slithered in to woo my love
so fair!'
-
'Sneaky though she's always been, I'm certain of
her tryst.'
Contorting all their memories far back before they wed
'I will make them rue the day! They'll beg, and
writhe, and twist!'
A fool he would not be for her, nor any man she bed.
-
Long he plotted his return for crimes too foul for
name.
She would confess her sins to him, and turn on her new
beau.
Waiting till she drifted off, he thought of all his
shame.
His wrath awake, he sprang to act, and lashed her head
to toe.
-
Surprised she was, too much to fight, and easy prey
for sure.
And though she cried and called for help, no one could
hear or knew.
"Tell me now about your heart! Do you still claim
it's pure?"
She nodded, sobbing, shaking hard. "Can you not
see I'm true!?"
-
Queried, questioned, harried long, again, again she
swore.
He dragged her from their lonely home, still needing
her to break.
Asking one last time the name, the man who's love she
bore
"Can you not see I’m true?" she wept as she
sank into the lake.
-
When at last her lies were done, and quiet filled the
air.
He thought about the twisted road that drove his heart
to this.
Peace within his soul at last, he tasted true despair.
What had he done? This wretched sin that tore away
their bliss?
-
Pale her face peered up at him, beneath the ripples'
sway.
He fell to knee and screamed forlorn, till voice and
soul were through.
Madness long had been in him, e'er driving him astray.
Her voice will ever haunt his nights. 'Can you not
see I'm true?'
Excerpt:
I returned to the room and knocked, entering at the direction of The Chosen One... who stood in front of the mirror wearing nothing but his Chosen underwear and the tyrian purple cloak wrapped around his shoulders. His chest was puffed out, and his enormous, muscular limbs flexed this way and that as he posed himself in dramatic battle postures with his famous great sword. Every inch of visible skin was hairless and glistening. He had worked up a sweat admiring himself, and I could still smell the liquor on him.
"Um..." I mumbled, wondering if I should return at a more convenient—and less embarrassing—time. Much to my chagrin, he didn't stop flexing on my account.
"Go ahead and pack," he grunted as he clenched his stomach to make all of his tightly bound abdomen muscles pop. "I'll wait for the pressed clothes." He turned to the side and threw the cloak over his shoulder so he could admire his hips and backside, casting daring glances at his tiny embroidered face on the seat of his underpinnings through the polished brass.
I was certain my own face was scarlet as I skirted past him to gather up everything and return the items to the trunks that seemed the most appropriate. The entire time I worked, he didn't break from his posturing, and I wondered if it was a form of exercise for him, or if it merely exercised his ego. My work was hastened by embarrassment, and when I was done, I silently took up the first Tome of Tiberius. I turned my back, ignoring his grunting and wheezing, and flipped to chapter 3, skimming for the most pertinent pieces of information. I needed to know how to handle The Chosen One's finances.
I quickly learned it was my duty to draw up contracts when The Chosen One agreed to take a deal, enforce the contracts, and collect the fees. It was my duty to arrange for appraisers, auctioneers, and moneychangers to convert any "spoils" of The Chosen One's labors—those that he did not keep for his personal collection—to coin. It was my duty to ensure there was sufficient coin for The Chosen One to live whatever lifestyle he chose and to fund any campaign. Incidentals incurred as a direct result of a campaign—such as bribing furious husbands—came from funds before they were deposited into a bank and Tiberius' percentage was calculated. There was a list of "lifestyle" actions that came from the bank and were not considered incidentals; "donations and women" were on that list. Thus, I assumed him throwing coins into the crowd was not an incidental, either, but came from The Chosen One's own bank holdings.
"You need to plot a course for Vevesk," The Chosen One said between poses. "They have vampire stoats."
"What," I asked, slightly startled by the break in silence. "What is a stoat?"
"I think they said it was like a long rat." He glanced over at me. "Find out. And find out how to kill it."
I stared at him until his self-admiration embarrassed me enough to look away. "You don't know how to kill them?"
"I assume I cut them up enough, they'll die," he quipped. "You need to figure out how it happened so I can stop it. Evil wizard, ancient curse, typical vampirism, that sort of thing."
"I have to learn what caused this outbreak of blood-sucking long rats?" I asked, incredulously. Surely he was jesting. That was his job.
"Chapter 2," he said, stripping off the cloak so he could better admire his shoulders.
I grimaced and turned to the second chapter in the Tome of Tiberius. This detailed how I was to conduct necessary research for a campaign and successfully translate it to The Chosen One, for him to then implement that knowledge to complete his feats of heroism. I sighed deeply. "There is no university here to hold historical works, and many of the larger temples do not have any books in them at all. I will need to visit the Wizards' Guild, the Questers' Guild, and the Scriveners' Guild," I explained.
"Go quickly," he ordered without sympathy. "We leave soon."
I gritted my teeth and rose from my chair, throwing Tiberius' quill and a stack of paper sheets into my shoulder bag. It was all but impossible to do the kind of research this would require in only a handful of hours. So, I ran.
Monday, October 6, 2025
In the Kitchen with Floy Owens #InTheKitchen #Recipe #JägerschnitzelmitSpätzleundMöhrengemüse
Jägerschnitzel
mit Spätzle und Möhrengemüse
When
I step away from writing dark psychological thrillers, I love to cook something
rich with tradition and flavor. My favorite meal to share is Jägerschnitzel
mit Spätzle und Möhrengemüse. It is a classic German comfort
food of crispy pork schnitzel with hunter-style mushroom gravy, tender egg
noodles, and creamy carrots. Every bite feels warm and layered.
Ingredients (Serves 4)
Schnitzel
•
4
boneless pork cutlets, pounded thin
•
Salt
and pepper
•
1
cup flour
•
2
eggs, lightly beaten
•
1
cup fine breadcrumbs
•
Neutral
oil for frying
Jäger
(Hunter) Gravy
•
2
tablespoons butter
•
8
ounces mushrooms, sliced
•
1
tablespoon flour
•
1
cup beef or veal stock
•
2
tablespoons heavy cream
•
Salt,
pepper, and a pinch of paprika
Spätzle
•
2
cups all-purpose flour
•
½
teaspoon salt
•
2
large eggs
•
¾
cup milk or water
•
Butter
for finishing
Möhrengemüse
•
1
pound carrots, sliced into coins
•
1
cup vegetable or chicken broth
•
2
tablespoons butter
•
½
cup heavy cream
•
Salt,
pepper, and a pinch of nutmeg
Method
Excerpt:
The room is dim, shadows casting sinister shapes as Violet hangs suspended from the ceiling beam. The air is sharp, metallic. Her upper back is pierced by two thick, curved steel hooks, twisting cruelly into her flesh, skin stretched unnaturally taut. The thick rope threaded through the hooks connects her to the beam. Blood seeps in thin rivulets down her sides, creating jagged streaks that pool at her underwear’s waistband, before dropping to the cold concrete below.
Her legs are submerged in a steel basin, the stool beneath it unsteady. The water, tainted with rust and streaks of her blood, ripples faintly. Her arms dangle, hands still bound together. Her head tilts slightly forward, chin resting against her chest. She forces each breath to remain slow, even.
Erik crouches beside a car battery, his clean, collared flannel shirt tucked into dark jeans, sleeves rolled to the elbows. He tightens the clamps on the terminals, sparks leaping at the contact.
“You know, I’ve read every page of your life.” He lifts the jumper cables, taps them together, causing a spark to ignite. “Medical files, police reports, case manager notes. Every sad word.” He shakes his head, disgust feigned, setting the cables aside momentarily. “When you have money, nothing’s off limits, it’s sick really.” He moves to the basin, adjusting it beneath her feet. “I know exactly where you’ve been, what was done to you, who did it.” Leaning in, his voice drops, almost intimate. “Nothing about you is hidden from me.”
Violet’s lips curl in a half-smile, eyes sharp despite the pain. “Then you must know how all this will end.”
Erik holds her gaze for a beat, then lowers both jumper cables into the basin. Violet’s body seizes violently, legs kicking, sending ripples through the bloody water. The jolt rips through her, every nerve set on fire. Her jaw snaps shut, teeth grinding. There’s a rush of static in her ears, then nothing but blinding white. She bites her tongue to keep from crying out. In the haze, she thinks she hears Erik counting under his breath. Her back arches against the hooks, fresh blood weeping from the wounds. The water bubbles and hisses as the current surges.
As smoke fills the Cage and the pain recedes, Violet’s awareness drifts. For Erik, each session in the Cage is a key, unlocking a different memory he has constructed from her files. He pictures another house, another set of wounds, another day when everything was already broken.
He sees it as clearly as the files he read. She would have been younger then, thinner, eyes already trained on disaster. He pictures her entering a silent house, feeling the weight of what waits inside. It is not guesswork anymore. The details are always the same.
***
Twenty-One Years Ago
The house door creaks open. Violet steps inside, fifteen and all sharp angles, her backpack slipping from one shoulder. She doesn’t bother fixing it. The air inside is heavy with stillness, as if the house knew what it held and decided to stop breathing.
She does not call out. The house would not answer.
Dust drapes the furniture like snow. The living room is quiet, dark in places it never used to be. A coffee mug lies on its side beside the couch, cracked and forgotten. The blinds are crooked. No breeze. No motion.
Nothing waits to greet her.
Fifteen years old. She walks into a nightmare.
She steps further in, sneakers whispering across the worn floorboards. Her eyes scan the room like she’s been here before and expects what’s coming. Maybe she does. Girls like Violet don’t walk through life with surprises. They walk through patterns.
In the center of the room, her mother hangs.
The ceiling fan turns slowly, each rotation jerking her body just enough to keep the sound going.
Creak.
Creak.
Her legs are stiff, toes pointed downward. A bruise rings her throat, buried beneath the cord. Her dress has slipped from one shoulder. Her mouth is open.
The smell is subtle: sweet rot, sour perfume.
Her mother, tangled in her own mess.
Violet doesn’t cry. She doesn’t cover her mouth or run. She just watches the sway of the body. The way the fan keeps spinning, mechanical and obedient. Then, without a word, she walks past it. No glance back.
The kitchen has its own secrets.
Her father slouches in a chair by the table, neck limp, jaw slack. A bullet hole marks the center of his forehead like a forgotten dot on a test paper. The blood beneath him has dried into maroon shadows, seeping into the wood grain.
The table is chaos. A burned spoon. A twisted tourniquet. A cheap yellow lighter.
He never cleaned up. Never thought she’d come home early.
Her mother finally snapped. Maybe she couldn’t take the guilt anymore.
Violet crouches beside the body. She looks at his hands, still dirty beneath the nails. At the way one boot stayed on while the other sits overturned by the fridge. At the stubble that never grew evenly.
She doesn’t touch him.
Maybe Daddy spent too much money on junk.
She rises again.
Moves down the hall, light as breath, like she doesn’t want to wake whatever still lives in the walls. At the end of the hallway, she lowers herself to the floor. Her back presses against the floral wallpaper, now peeling. Knees drawn tight. Arms locked around them.
She doesn’t shake.
She doesn’t blink.
Or maybe she realized her main source of income was drying up.
The older the girl got, the less she was worth. Mommy shot Daddy dead, then strung herself up.
The house is still now, except for the soft tick of a clock and the distant, endless turn of the fan.
Violet breathes evenly. Her face is blank. Not numb. Blank. Numbness implies a feeling that once existed.
This is not grief. It is recognition.
A girl walks into a house and finds herself orphaned. And somewhere inside her, she knew it was coming.
Some part of her always knew.


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