Thursday, November 29, 2018

In The Kitchen with Aletta Thorne : Mussels In White Wine




The main character in THE GHOST OF HER EX, Emily Rauch, is sixty-something, a church musician, but utterly irreverent and cynical. She curses like a sailor.  Em’s a gal who’s far more likely to get cooked for than to do the cooking herself. Not so the author who dreamed her up, Aletta Thorne. 

Oh—that would be me.

I write ghost stories, naughty ones.  But I also really love to cook.  My favorite recipes are simple ones that I can ring changes on according to what’s around in my fridge and pantry.  Or what’s good at the market. That way I can easily transition from my office to the stove.  Like Emily, I really like fish and seafood.  It’s sexy stuff, you know?  But lots of folks are afraid to cook it, which is a shame.  Two pounds of mussels make a delicious, inexpensive, and dare I say sexy meal for  two hungry people who’d like to linger over the dinner table sipping wine and laughing.  Here’s how I cook ‘em:

Mussels In White Wine

2 lbs mussels

about two tablespoons olive oil, butter, or a mixture (I like the mixture)

a medium onion, chopped

about a cup and a half of dry white wine—pinot gris is nice

4 cloves garlic, minced or run through a press

a shake of crushed red pepper

1 teaspoon of dried oregano

1 teaspoon of dried thyme or rosemary

a handful of chopped, fresh flat leaf parsley (or basil)

Sliced French or Italian bread, for dunking in the broth

First, put your mussels in a colander and check to make sure they are in good shape.  Pull off the “beard” (that’s seaweed-y looking vegetation) on any that have it on.  If any of the mussels are open, squeeze them and see if they stay closed.  If they do, they’re okay to cook. 

If they’re gaping open and don’t close when you pinch them shut, they’re probably dead and not super-fresh.  I don’t trust the ones with broken shells, either.  Give the survivors a quick rinse.  Most mussels are farmed nowadays and will be quite clean.

Then get out a dutch oven sized pan—but not cast iron, which will turn your sauce a funky color.  Stainless steel is good.  Heat your oil (and/or butter) and add the onion.  Sauté over a medium high flame until translucent—just about four or five minutes.  If you’re using butter, make sure you don’t scorch it; keep the flame a little lower and cook a bit longer. 

When the onion is translucent, add the garlic, crushed red pepper, and dried herbs.  Sauté for about a minute and then add the mussels.  Give them a stir and pour in the wine. Stir again.  Cover tightly, turn the flame to medium, and cook ten minutes, giving the pan a shake a few times so nothing sticks or burns.  Open the lid.  The mussels should be open.

Pick out the ones that didn’t open; those are probably dead.  Throw in the parsley, give everything a stir, put a trivet on your table, and eat right from the pan.  Serve with the bread—to dunk into the broth—and perhaps a green salad with a balsamic vinaigrette.  And by all means, drink up that wine!!







The Ghost of Her Ex
Aletta Thorne

Genre: Paranormal Romance, Romance, Ghost Stories

Publisher: Evernight Publishing



Date of Publication: October 23, 2018

ISBN: 978-1-77339-829-7
ASIN: B07JLRLR45

Number of pages: 193
Word Count: 56,000

Cover Artist: Jay Aheer

Tagline:  What happens when the ghost of your ex just can’t leave you alone?

Book Description:

Just because she’s sixty-three, cynical, and a church musician, Emily Rauch is hardly done with life—or love. 

Now that she’s traded in her old barn of a place for a tiny house in the hills, Emily’s ready for a new start. 

Throw in one enormous pipe organ, two ghosts, a pot dealer named Santa Claus, the reappearance of Emily’s bad-boy college squeeze, and a blizzard...what could possibly go wrong?

Excerpt:  

“…You are a woman of … appetites, Em. You like to eat and drink and…”
“…and fuck.” Emily shocked herself by saying that. Dropping an f-bomb when you were just randomly turning the air blue was one thing. But this was no fuckity-fuck-fuck. This meant actually doing the deed…
But she hadn’t shocked Al. “Indeed. And fuck.” He nodded, his lips tight. “I left you in the lurch.”
Emily sighed. “Yup. Yup. Guess you did. But we talked that stuff to death two decades ago. Shit, Al! It’s just … just … I don’t know what it is. Alexa, play Widor organ music.”
“I don’t know any songs by Widor,” said Alexa.
“Alexa, argh!” Emily made neck-choking gestures toward the black cylinder on her counter.
“Bee-boop,” said Alexa. Her illuminated blue ring danced and turned itself off.
“I know our lovely and talented daughter meant well with that thing,” said Al. “But The Echo sucks at classical music unless you get lucky. Works better just to ask for radio stations.”
“You’re too good at that. Do you haunt many Echo owners?”
“Just Gordon.” Al laughed ruefully. “That young fella of his bought an Alexa for him. Alexa, play WQXR.”
“Playing WQXR.” Alexa provided them with the middle of Respighi’s “Ancient Airs and Dances.”
“Not bad,” said Emily. “No static. It barely comes in up here on the FM. And they’re a public station now, so no more pre-need funeral ads, I guess. God, funerals!”
“Yeah. That. I gather you had a spectacularly bad day…”
“Do you get special ghost email about that or something? Ghost Facebook?”
Al’s laugh, again, was rueful. “Hard to explain. It doesn’t work like that. I never really thought of you as a femme fatale, Em.”
“I wasn’t the one who fatale-ed him! I honestly didn’t intend to have anything else to do with him! Or not much else, anyway. Look, I was being a sex-positive, independent woman caring for her own needs. He went home to his girlfriend, tried for a little more of the old slap and tickle … and crumped.”
“And now you’re playing his funeral. And he came to the organ loft today to bother you.”
Emily began to laugh, too—a bit too hard. There was nothing else left to do. “Oh, fuckity fuck!”
“What?”
Then there were tears in her eyes again. She laughed until she ran out of air. “I never even unblocked him on my phone. I never even friended him on … Facebook! It was supposed to be a nothing. A one-off. A…”
“I sort of remember Brad. He was at the reception when you played in Brooklyn, right? Was he a good organist?”
Emily wiped her eyes. “He was terrific. But loud and flashy—at least when we were kids. A show-off. I don’t think I’ve actually listened to him play since before I met you. He loved boat races as much as he loved music. Not to mention chasing women. I used to regard that as a challenge when I was in school: break the womanizing horn-dog’s heart and win the Battle of the Sexes. Ah, Al, we’re so nuts when we’re young.”
Al took Emily’s hands. “‘Nuts’ is harsh. I think we’re young when we’re young. You know?”
“I do know.”
“Em, I’ll tell you this… Brad’s going to be … around. Womanizer or no, he probably liked you a lot more than you thought. I get that. Plus, he doesn’t know he’s dead, right?”
“He seems a bit unclear about that. He’s got to know I’m practicing for his funeral. You never seemed unsure about being…”
“Being dead. I had lots of warning. I was sick for a long time.”
Emily nodded. “That sucked. You sure didn’t deserve it.”
Al pecked her cheek with his usual hurried and dry kiss. “No one deserves it. Your friend clearly has unfinished business,” he said. And then he disappeared.




About the Author:

Aletta Thorne believes in ghosts.  When she’s not making up ghost stories for grownups, she is a choral singer, a poet, and a DJ.  But she’s happiest in front of a glowing screen, giving voice to whatever it was that got her two cats all riled up at three AM.  Her house is quite seriously haunted—even scared the ghost investigator who came to check it out!   After all, she lives just across the Hudson River from Sleepy Hollow. Aletta Thorne is also the author of The Chef and the Ghost of Bartholomew Addison Jenkins.




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