ENJOYING YOUR MICHIGAN COTTAGE GARDEN FROM JANUARY TO DECEMBER
“One day, however, winter actually did end. All at once, it seemed, on a sunny morning, a wet wind bent in from the southwest. Spring dilated, and all along Agit Street maple buds burst open like tiny green fireworks.”
– Urbantasm, Book Two: The Empty Room
The characters in my serial novel Urbantasm are completely immersed in their environment, which (as anyone familiar with Flint, Michigan can testify) teems with nature: herons perched in the river, deer grazing in an old golf course, and the heady perfume of honeysuckle and lilacs everywhere.
One of the highlights of writing stories set in Flint, Michigan is the ample opportunity to write about nature in motion. The seasons here don't just change; they fly by! And one very delightful challenge is finding ways to transform a garden into a beautiful sanctuary all year long.
My little house in Flint's College-Cultural Neighborhood sits on a 50x125 foot lot; a perfect footprint for a cottage garden, manageable but with enough room to stretch out.
SUMMERDUSK
September is a busy time of year when the dew is thick on the grass every morning but you can still go outside without a jacket. It is a fun, low-maintenance time for the garden, too, as a lot of late-blooming perennials – asters and geraniums – bloom, even as midsummer favorites like hydrangeas and phlox are still holding out. But perhaps my favorite summerdusk flower is an annual: cosmos. If you plant a large variety in late spring, they'll be huge – four or five feet high – by the end of summer. As school starts and the days grow short, their feathery foliage and violet petals are a comforting reminder to enjoy these brief and perfect days.
AUTUMN
Most of my autumn gardening is fairly by-the-book; mums and pumpkins and corn cobs are ubiquitous at this time of year. If you grow pumpkins (or gourd) vines and winnow them, they will continue to flower and the mottled orange texture of the flowers blurs nicely with the still-green grass and the changing leaves. But my real autumn hack is a hardy perennial called sea holly. Sea holly grows a mass of fiercely spiky leaves, some of which (Blue Hobbit) turn bright blue in midsummer. As summer turns to fall, these leaves turn brown and hollow out like a lily. I like to (very carefully) cut them and place them in window boxes or fairy gardens as a haunting, melancholy reminder that the year is winding down. And since these are cuttings, they require no tending. You can arrange them in September and they'll still look great at Thanksgiving.
WINTER'S SHORE
There are scads of holidays at this time of year – Christmas and Yule and Kwanza'a and Hanukkah – and they all emphasize the presence of light and warmth among a greater cold and darkness. Beyond Christmas lights, this is a great time to embrace color and warmth. An unexpected achiever is the modest radish. If you have an easily sheltered vegetable garden, plant some radishes in mid-November, cover them during particularly hard frosts, and less than a month later you'll see their cheery, ornament-like red bulbs poking up through the soil. The soil can still be worked in December... people put out lights, but I'm surprised people don't go farther with the lawn decorations. Sprigs of holly, of mistletoe, extra cuttings from wreaths and Christmas trees (often available for free at a Christmas tree farm) can enliven the darkness at this time of year!
DEEP WINTER
The months of January and Feburary are probably the hardest for most Michiganders; the weather is cold or frigid, nights are still long, and nothing is growing. This is when your evergreens shine. Our garden has a mounding juniper bush. It's decidedly unimpressive during the summer but it looks like a soft bank of green moss relieving the dirty white and brown all winter long. False cypress is a small evergreen and pachysandra is a ground cover; both are easy to care for and you'll appreciate those colors on grisly gray days. Also, everyone decorates for Christmas, but Mardi Gras is an underutilized opportunity. It isn't just for New Orleans and Rio de Janeiro! The Carnival season typically runs for about seventeen days between Septuagesima and Mardi Gras (anywhere from mid-January to early March). Buy some beads and hang them on a clothesline in your front yard for winter-weary pedestrians to pick up as they go. If you're feeling adventurous, add some masks or doubloons to the mix. We do this each year and it's a lot fun for my daughters and I!
DRAB WINTER
I think of March as a palette-cleanser; I clean the yard and leave everything completely bare. When I look at the garden in this austerity, it is with a sense of excitement and anticipation: months and months of fecundity are right around the corner! That said, if you were organized enough to start your pansies inside the last December, you can plant them in a sheltered location now. It's cold but they can handle it! Your crocuses will also wake you up along with the advancing dawns.
SPRING
Spring doesn't have to be a series of months. In our garden it is also a sequence of bulbs. The tiny crocuses make way for the sunny daffodils, which themselves clear out in time for April shower hyacinths. Nothing smells as lovely as a hyacinth on a foggy spring morning! After that, the tulip waves in the warmth and color of May, and then with June you get as many kinds of irises as you can cram in. Siberian irises will be your regal queens robed in purple when the solstice falls. The best things about bulbs is that they take care of themselves; just let the stalks remain until they discolor, and your spring bulbs will multiply year after year!
HIGH SUMMER
Of course, this is the easy time to find colorful plants for your garden, and everything stretches out in midsummer. But my favorite summer plant is Lady's Mantle. The botanical name is alchemilla mollis from its origins in alchemy; the dew that collects in the broad fronds each morning was believed to have special curative powers. This dense, full perennial puts forward delicate clusters of tiny, yellow-green flowerettes in late June. You need to deadhead them once in late July, but otherwise, keep them watered and they're happy!
LATE SUMMER
Berries. Lots of berries. Blackberry vines can be unruly, but they also keep on going year after year as long as you cut the shoots back each fall. I get enough blackberries for a pie each year from a single blackberry vine. Strawberry plants can be tucked into little places, even adding a splash of red to rows of impatiens and begonias. Blueberries are known for their fruit (more pies!) but they'll also pay you back in banks of crimson when their leaves change in the autumn. And don't forget herbs: with a few tomato plants and some basil, you can spend all of August eating caprese salads while surrounded by the swaying leaves of your cottage garden. Sprinkle your pots of herbs with a few scattered nasturtium; the velvety orange flowers are edible and perfect atop of a fresh summer salad.
These are tried-and-true tactics that make our cottage garden, assembled on a modest city lot, a cheerful sanctuary all year long. A garden doesn't have to be a chilly museum to be seen but not touched; a garden should open its arms to welcome you all year long. It should be a wonderful place to sit and think, or read a book... or even to write a book!
Urbantasm Book One
The Dying CityConnor Coyne
Genre: YA, Magical Realism, New Adult, Teen Noir, Lit Fic
Publisher: Gothic Funk Press
Date of Publication: September 6, 2018
ISBN: 978-0989920230
ASIN: 0989920232
Number of pages: 450 pages
Word Count: 85,000
Word Count: 85,000
Cover Artist: Sam Perkins-Harbin,
Forge22 Design
Book Description:
Urbantasm is a magical teen noir serial novel inspired by the author’s experiences growing up in and around Flint, Michigan.
Thirteen-year-old John Bridge’s plans include hooking up with an eighth-grade girl and becoming one of the most popular kids at Radcliffe Junior High, but when he steals a pair of strange blue sunglasses from a homeless person, it drops him into the middle of a gang war overwhelming the once-great Rust Belt town of Akawe.
John doesn’t understand why the sunglasses are such a big deal, but everything, it seems, is on the table. Perhaps he accidentally offended the Chalks, a white supremacist gang trying to expand across the city. Maybe the feud involves his friend Selby, whose father died under mysterious circumstances. It could even have something to do with O-Sugar, a homegrown drug with the seeming ability to distort space. On the night before school began, a group of teenagers took O-Sugar and leapt to their deaths from an abandoned hospital.
John struggles to untangle these mysteries while adjusting to his new school, even as his parents confront looming unemployment and as his city fractures and burns.
“A novel of wonder and horror.”— William Shunn, author of The Accidental Terrorist
Amazon Barnes and Noble
Excerpt Book 1
Chapter 1
I have to become the
Antichrist.
I realized this one night
when I was standing on an overpass looking down through a chain-link fence onto
the expressway below. Blue neon light shined off icy puddles. The gutters were
flush with slush. Empty houses, ragged wrecks, hung out on tiny lots to my left
and right. Beneath me, the cars that this city had built were leaving it – some
of them forever. Across from me, on a rusted trestle, a freight train slowly
passed, bringing in the parts for more cars.
As the train moved on
through, I thought about Drake and about how God had fucked him over. How he’d
fucked us all over. Then I thought about the house with Jesus graffitied on its
side. Orange skin, blue eyes, green thorns. A welter of wounds. I clenched my
jaw and my teeth squeaked together. Across from me, the train wheels squealed.
If I wanted to save my
friends, I would have to murder God.
Chapter
2
This is mostly my story,
but I’m gonna start out by telling you about what happened to Drake. Just so
you know – just so you can see right off the bat – what a bastard God could be
and why a lot of us had it out for him.
In the summer of 1993,
Drake had just turned sixteen.
He was going to be a
junior, and his horror-show-of-a-life finally seemed to be turning a corner.
He’d been living with his dad and sister in the trailer park when his mom
finally moved out of her little house in the Lestrade neighborhood. She’d given
it to Drake’s dad. She knew damn well that he wasn’t going to pay any rent, but
she didn’t care as long as he kept the kids. Now Drake would have empty houses
next door instead of empty trailers. He, his sister, and his dad had filled a
couple dozen Hefty sacks with all their stuff and dropped them in the trunk of
their scraped-up Benedict.
One trailer over,
Sapphire watched, leaning back against the bent wall, her narrow eyes shaded
behind her too-big sunglasses. She was a white girl, also sixteenish, with hair
so light it glowed like tallow dripping from one of my mother’s candles. Blue
eyes too, quiet laughter, nervous all the time, but silently thrilled to be
growing up as fast as she could.
“I ever gonna see you
now?” she asked.
“See me at school,” Drake
said. “Summer’s done next week.”
“Suck a dick,” she said
and laughed.
“Come over to my new
place tonight. Come over, what, nine? Bring DeeDee. I’ll get Jamo and TK.
Drinks from my dad. We’ll bust up that hospital like we said. I got gold now,
you know. Crazy gold.”
And he did. Drake wasn’t
a Chalk – fuck those racist fucks – but they were a North Side gang wanting to
sell some coke and E out on the East Side, and Drake was their man. Okay, their
middleman. EZ set the whole thing up. Drake hated the Chalks but he liked the
money and he also liked EZ. How could you not like EZ, talking the way he did?
Dude had magnetism.
Even before Drake had
unpacked all his shit at the new place, even before the sun had dipped behind
the swampy trees shadowing the creek, EZ pulled up in his moon blue Starr
Slipstream. A sweet make and model for a blue-collar beater. Rust patches
shaped like Martian mountains silhouetted against a dusty sky. EZ called Drake
over to the window.
“You straight over here,
D?” EZ said. “This all new to you?”
“Naw,” said Drake. “I got
all the fiends back on Ash and I’ll get some here too. See my moms lived here
years. Lestrade Hood. I know it. Every street. Every liquor store. Every squat
the kids go to fuck.”
“What about you?” EZ
asked. “You gettin’ some, D?”
“Not now, you know,”
Drake said.
“But you got plans on
that.”
“I don’t...”
“You better stitch it up
then. If boys don’t fuck they die.” EZ grinned without parting his pink lips.
Crows feet in the cracks of his mellow yellow eyes. He was white-ish, but he
had some black in him, too. It always struck Drake as funny when black kids
joined up with the Chalks.
Now EZ leaned out of the
car, looking forward, turning to look back, taking in the whole street with its
tidy ranches and its burnt-out wrecks. “Le Strayed,” he said, the tip of his
tongue probing his teeth like he was rolling a Werther’s.
How old is he anyway?
Drake wondered. Older than Drake. Younger than Drake’s dad. It was hard to
tell.
“You know,” EZ said. “Jesus was a fool to crawl up on
that cross. God made the devil. Devil is God’s tool. Hammer in his hand. And
the devil offered Jesus all the kingdoms of the Earth, and don’t you think that
was part of Yahweh’s plan too? What you think woulda happened if Jesus had just
said ‘yes?’ I bet we wouldn’t be
slumming in Akawe.”
Akawe is the name of this
city.
A poor city. A beat-up
city. A car-making city an hour’s drive from Detroit, but then the cars it made
left, along with the money, along with the people. Akawe.
“I don’t know,” said
Drake. “I ain’t religious.”
EZ laughed. “No, you
ain’t,” he said. “Here. I got something new for you to test for me. Make some
night special. Full of secrets.”
He beckoned. Drake leaned in through the open window. In
EZ’s palm, a sandwich bag with five white pills.
“What’s that?” asked
Drake.
“A new thing,” EZ said.
“Chalks call it O-Sugar. Kinda like E. Kinda not. Try it out. Give it some
time. Don’t go to sleep. Gonna see the world through God’s eyes. Feel like
Jesus would if he’d said yes to his good friend the devil.”
After EZ signed off,
Drake helped his dad and his sister unpack until the sun went down and his
friends came over. They all sat on the front porch, passed a 40, smoked up, and
put the pills of O-Sugar on their tongues and swallowed. They talked about
music and cars and love and sex.
About big old TK who had
built a Frankenstein sedan from the soldered guts of four different cars.
About DeeDee,
sad-in-her-heart that this boy Shawn would never see a woman in her like she
saw a man in him. “He’s on varsity, you know,” she said.
Then, there was skinny
Jamo with his horn-rimmed glasses. He kept farting. He said he liked the kids’
urinals best because that way his dick didn’t brush the puck.
Drake didn’t talk much,
though. He kept looking at Sapphire – her eyes, her face, her perfect nose –
and he felt her laughter run his spine like blue notes down a keyboard. She was
a song he hoped he might play some day, but not in a crude way. He hoped he was
a conversation she might have.
The kids’ hearts started
to glow in their chests with a slow, soft burn. That was the beer talking. They
walked down the driveway to DeeDee’s Aubrey.
They left Lestrade and
crossed the expressway into Anderson Park – brick houses, neat lawns, where the
mayor and the college presidents lived – but even these exalted ones couldn’t
keep St. Christopher’s Hospital open in crumbling Akawe. The hospital towered
in the midst of the neighborhood, full of empty-dark windows and stern staring
statues.
DeeDee parked on a side
street of prim Cape Cods and the kids walked the last half block to the
hospital complex. Above them, the moon waxed, and the whole sky – the
everything – seemed to unfurl and offer itself to Drake, limpid and tender. Is
that the O-Sugar? Or just the weed? Drake swelled into the wide space of that
raw and thrilling moment.
TK led them across the
cracked parking lot to the loading dock.
They hauled up the service
gate, slipped inside, and descended into the fluorescent-lit basement. There
were seven buildings in St. Christopher’s, but underground tunnels connected
them all. After hitting a few dead-ends, the kids found their way to the
central building. The six-story main building with a floor plan shaped like a
giant cross. As they climbed, floor by floor, moment by moment, the shadows
around them expanded with opportunities, with regrets redressed, and the future
converging upon their pasts. Infinities of little universes hid in the dark
corners of that empty space, clear of matter but clouded with tension, ready to
emerge.
By the time they reached
the roof, they all felt dizzy and disoriented. Before, their yearning spirits
had stretched into each new second, each new room. But now that the potential
for movement threatened actual motion – now that acceleration accelerated –
they put their hands in their pockets and tried to slow down. The speed of
everything was getting weird on them.
“Babies, I gotta sit down!”
said Jamo.
They all sat.
“I feel like, like sad
and sore,” said Sapphire and she plucked at her hair.
“Hold my hand, Saph,”
said DeeDee, and they all held hands.
Far off, the sound of a
train rang out and, at that moment, the city lights opened wide like eyes, and
the stars glowed and exploded, and heat spilled like syrup from above. Dust and
clouds, spinning and shining with lightning and friction. Planetoids and
asteroids whirling with volcanoes down
jets of solar steam. As the train whistle sang, its sound was compressed,
compacted, tonally shifted upwards, higher, with panic. As the pitch got higher
and higher, Drake felt better and better, and it terrified him. He climbed on
top of himself – palms pushing down on his head – to hold his soaring heart in
place, but the shadows everywhere slid up
convex hypotenuses from the streets below. They weighed down invisible
tightropes that connected to the tallest buildings Downtown. Everything kept
turning bluer and bluer. Turning to blue and purple.
The shadows swung their
arms. They were the remnants of that abandoned place, humanoid, with blue coins
replacing their eyes. They had flown away when their owners checked out and
went home or died at the hospital. Now, they returned, suctioned in, pulled back
toward the points of departure.
But as the shadows
converged and became more humanlike, Drake’s friends had been reduced to matter
and residuals. TK and DeeDee and Jamo and Sapphire had all lost their eyes and
their ability to speak. Their faces had become smooth planes of flesh and,
finally, pure fields of electricity. Small blobs, data balls, started to grow
and divide. Oxygen bloomed. The kids floated – impossible! – but happening, and
as they did the lights got brighter and brighter, heightened and compressed,
flattened and overheated.
“Sapphire...” Drake tried
to say, and he leaned toward her, straining to see her features again. He
wondered what had happened to him and his friends. What was happening around
them. On every side. He imagined their height, sixty feet up. The death it
represented.
Then, as if in response,
space itself pressed in and Drake felt himself stretched out over the
edge of the building. He fell. He was falling. Yellow-blue parking lot lines
dropped away behind him and approached. They got small. The last thing he saw
before he hit were black streaks of grypanian spirals, dotting away and
multiplying.
The sky was a dome, but
the parking lot was deep.
Urbantasm Book Two
The Empty Room
Connor Coyne
Publisher: Gothic Funk Press
Date of Publication: September 2019
ISBN:
ASIN:
Number of pages:
Word Count: 175,000
Cover Artist: Sam Perkins-Harbin, Forge22 Design
Book Description:
Urbantasm: The Empty Room is the second book in the magical teen noir serial novel inspired by the author’s experiences growing up in and around Flint, Michigan.
Urbantasm: The Empty Room is the second book in the magical teen noir serial novel inspired by the author’s experiences growing up in and around Flint, Michigan.
John Bridge is only two months into junior high and his previously boring life has already been turned upside-down. His best friend has gone missing, his father has been laid-off from the factory, and John keeps looking over his shoulder for a mysterious adversary: a man with a knife and some perfect blue sunglasses.
As if all this wasn’t bad enough, John must now confront his complicated feelings for a classmate who has helped him out of one scrape after another, although he knows little about who she is and what she wants. What does it mean to want somebody? How can you want them if you don’t understand them? Does anybody understand anyone, ever? These are hard questions made harder in the struggling city of Akawe, where the factories are closing, the schools are closing, the schools are crumbling, and even the streetlights can’t be kept on all night.
John and his friends are only thirteen, but they are fighting for their lives and futures. Will they save Akawe, will they escape, or are they doomed? They might find their answers in an empty room… in a city with ten thousand abandoned houses, there will be plenty to choose from.
Excerpt Book 2
In the perfect past, in the flushest
years at Ellis Island, as overladen ships waked the gray waves and passed into
New York Harbor, small groups of Greeks clustered at the prows and pointed at the broad banks of twinkling
lights in the distance.
“Είναι ότι η New York?” they'd ask a
deckhand or
whoever happened to be standing
nearby. “Ya,” he'd reply. “That's Coney Island.”
“Coney Island,” the emigrants repeated
in awe, leaning out over the churning ocean to get a better look at their new
home. It was sparkling bright, shimmering, these ethereal, auroral sparks in
the morning twilight, murmured invitations from the Cyclone, the Wonder Wheel,
to taste the delights of the Boardwalk,
of Luna Park, Steeplechase, Dreamland, and rapture on off of the Parachute
Drop. The lights preceded the long queues, the dirty work, the discrimination
against these Orthodox Christians with their swinging censers and their woolly
bearded priests. In the hard years to come, the emigrants always held that
first vision of Coney Island in their memories, because it was their first,
unsullied glimpse of the Americas, and it had seemed to confirm the promise of
a better life here. That's why, days, or weeks, or years later, having saved up
scraps from their factory jobs, or having snuck small fortunes overseas, sewn
into their threadbare jackets, when they
opened hot dog stands in the industrial cities of Southeast Michigan, they
called them “Coney Islands.”
That's the story I was told growing
up. Like so many of our New World origin stories, it's pretty much bullshit.
The immigrants called their wieners “coney islands” because they bought them at
Coney Island, and the local Chamber of Commerce banned the words “hot dog”
because they figured the stupid immigrants might think their wieners were made
from actual dogs.
But when the supposedly stupid
immigrants arrived in Michigan and started selling their own coney islands in
the nineteen teens, they decided to improve their product. Thus began a long
process of prayer and experimentation, roots plucked from tiny backyard
gardens, cattle slaughtered at the altar, with providential navigation toward
the apotheosis of the hot dog.
The core of this creation was the
wiener itself, and from 1914 these were produced under arcane secrecy by the
Richard Goerlich Bavarian Encased Meats Company, later known simply as
“Goerlich's.” Perhaps as a nod to the melting pot that threw the German
Lutherans in with the Balkanites, a Goerlich was made out of many animals. A
puree of pork and beef with secret spices all pressed together in a lambskin
casing, tied off and smoked over a hardwood grill. The pork content meant that these Viennas could be grilled for
longer than other wieners without
burning and shrinking. The spices were sweet and sour: traces of mustard,
sugar, vinegar, and salt. When you bit into a Goerlich, you felt the skin snap
before your teeth sank into its soft inner flesh.
A Goerlich alone, however, was not
enough to make the superior coney. To
turn a Goerlich into a coney, you had to
top it with coney sauce, mustard, and onions, on a fresh bun, on a hot plate with a hot cup of coffee on
the side. To do it right, everything
must be fresh. Even the mustard, the simplest ingredient, must taste as sharp
as a paring knife and shine as bright as the sun. The Balkanites didn't just
chop their onions into large, trapezoidal chunks. Onions were precision-cubed
by calloused hands at half the speed of sound before being swept into oak
barrels and sealed and chilled and called into use. Akawe Ashkenazi bakeries
supplied the buns, which the Balkanites steamed before setting them onto waxed
paper gracing elliptical china plates. The thick plates kept your food from
burning your fingers. The thick cups kept your coffee from cooling off.
I haven't described the sauce. I've
saved the best for last. Finely ground beef heart and beef kidney, mixed with
beef suet and more ground up Goerlich's, browned minced onions, and sanguined
spices. Which spices? Cumin and chili powder and something else. Something
magical. Nobody knows what but the coney chefs, and if they told then they
would not be gods.
The truth is, they may not have
realized at first the specialness of what they had created. These Greeks, these
Macedonians, these Albanians, these Rumanians had arrived in factory burgs to
take up jobs in the factories and to serve the factory workers. The immigrants
hemmed trousers, cobbled clogs, thatched nobs. They sold their coneys on
the side, to earn a little extra, but soon they noticed
that the
coneys brought in more ducats than their other trades.
This was filling food; as heavy as it
was delicious. The X Automobilians, whether sweating in the foundries, grinding
through midnight shifts at the metal center, or straining over dies and tools in
bright light for hours, could fill up in five minutes with a coney and coffee.
The perfect food for an assembly line town, as demonstrated by the
ordering shorthand that sprang into life
like a new language: “One up” meant a coney with everything; a milestone of
verbal economy and the inverse relationship of calories to syllables. So coney
stands became Coney Island Restaurants. They
bloomed fruitful and fecund, increased in number. Multiplied across the
earth and increased upon it.
By the mid-twenties some three-dozen
Coney Islands in Akawe served up tens of thousands of coneys a day built by
hundreds of restaurant employees. Balkan assembly line workers bent over their
stations for hours: one man grilled the Goerlich's, another steered it to its
bun and plate, where the next station assembled the dressing, nothing written
down, everything achieved with hands and voice, as demanding of speed and rigor
as riveting.
I'm not exaggerating when I tell you
that there were so many Coney Islands that they were served over the river; two
restaurants opened on the midst of the East Street Bridge and stayed there for
decades. I'm not exaggerating when I tell you that the Coney Islands were open
24-7-365. Once, during a flood, a Coney had to hire a security guard to watch
the door because the owners had lost the keys years earlier.
The Coney Islands thrived along the
factory zones. They pulsed along the Akawe's main arteries. They anchored each
neighborhood and kept their street corners noisy all
night long, from the wail of the evening whistle to the chiming of the
church bells.
When the factories started to wither,
the Coney Islands did too.
They held out longer than the factory
jobs but, one by one, the great restaurants closed their doors. Midnight Oil
Coney Island, Akawe Old Fashioned Coney Island, Delicious Coneys, Joe's
Original Coney Island, and most of the others dried up through the 80s. By
1993, there were less than a dozen left.
About the Author:
Connor Coyne is a writer living and working in Flint, Michigan.
His first novel, Hungry Rats, has been hailed by Heartland prize-winner Jeffery Renard Allen as “an emotional and aesthetic tour de force.”
His second novel, Shattering Glass, has been praised by Gordon Young, author of Teardown: Memoir of a Vanishing City as “a hypnotic tale that is at once universal and otherworldly.”
Connor’s novel Urbantasm, Book One: The Dying City is winner of the Next Generation Indie Book Awards 2019 Young New Adult Award. Hugo- and Nebula-nominee William Shunn has praised Urbantasm as “a novel of wonder and horror.”
Connor’s essay “Bathtime” was included in the Picador anthology Voices from the Rust Belt. His work has been published in Vox.com, Belt Magazine, Santa Clara Review, and elsewhere.
Connor is on the planning committee for the Flint Festival of Writers and in 2013 he represented Flint’s 7th Ward as its artist-in-residence for the National Endowment for the Arts’ Our Town grant. In 2007, he earned his Masters of Fine Arts in Creative Writing from the New School.
Connor lives in Flint’s College Cultural Neighborhood (aka the East Village), less than a mile from the house where he grew up.
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