Monday, May 11, 2020

How to Make Inexpensive Gifts with Découpage with Angel Leigh McCoy #gettingcrafty


Add a little magick of your own with this quick, inexpensive, and easy decorating trick that I first learned when I was in high school. These days, I use it to make unique, whimsical gifts for friends, family, and my readers. Découpage is the art of using printed paper to decorate wood. It’s pronounced “DAY-coop-ahhhge” with your cheesiest French accent. Ooh la la! 


Here’s what you need:
  • Decorative paper
  • An item you want to decorate
  • Découpage glue or plain Elmer’s Glue
  • A couple cheap paint brushes or sponge brushes
  • Varnish or other transparent coating

Decorative Paper

You can use just about any kind of paper for this project. Some ideas include:
  • newspaper
  • origami paper
  • wrapping paper
  • decorative napkins
  • art paper that you’ve drawn or painted on
  • pages or illustrations from a book
  • magazine cuttings
You’re going to decorate your box, dresser, or whatever you have with this paper. You can cut it into shapes or cover whole surfaces with it. You can draw or write on the paper, but it will be getting wet, so use ink that won’t run. Permanent markers are best. Be sure you let the ink dry before trying to glue it on.

Glue

Your local craft store will have products designed specifically for découpage (such as Mod Podge), but you can use Elmer’s glue just as easily. Add water to it so it doesn’t go on too thick or gloppy. It’s best to brush a thin layer of glue down on the object, then press the paper down. Once it’s dried, you can brush on another layer of the glue to increase the chance it will stay stuck. You’ll want to let a layer of glue dry, then add another and another. I usually apply a total of three to four layers, depending on how thick the paper is. You have to let it dry completely between each application.

Object to Decorate

The object’s surface matters. If it’s too slick or non-porous, like plastic or wood that’s already been varnished, you will have a hard time getting the glue to stay. You can use sandpaper to sand texture into the surface of your object, if you’re worried it will reject the bond. Objects I’ve used in the past include:
  • a cheap, naked wood box from the craft store
  • a wood plaque or left-over scrap of wood from another project
  • an old wooden crate
  • an old coffee table
  • a picture frame
  • a lamp shade
  • cabinet doors
  • a cardboard box
  • wood shapes hung to make an artsy mobile
Let your imagination run wild!

Varnish

After your glue and paper are completely dry (may take a day or two), you can apply the varnish on top. You may have spray varnish (my preference) or paint-on varnish. Either way, you want to try to get it on as evenly as you can. Be sure to follow the safety instructions with varnish. It is not a toy. The varnish (aka shellac) will protect the surface from wear and tear. It also can add a shine if you choose a glossy or semi-gloss variety. Give the varnish plenty of time to dry or you’ll end up putting your fingerprint in it. I know this from experience. And voila! You have a gift or decorative item that you created with love, whimsy, and a touch of class.

Some Basic Tips

  • Cut your paper and lay it on before you begin gluing to make sure it fits and looks good.
  • You can paint or stain your object before you apply the découpage if you’d like. If your paint is slick and non-porous when dry, you may need to sand it a bit to keep the paper and shellac from peeling off.
  • If using very thin paper, like decorative napkins, you’ll want to use a roller to press it down, so it doesn’t wrinkle when wet. You can use a rolling pin or hard tube if you don’t have a craft roller.
  • Some people use fabric instead of paper. Thin cotton or other natural fabrics work best because they’re porous and keep color well.
  • You can also découpage on glass, such as on vases or picture frame glass. This is a more advanced undertaking though, and I recommend you find some tutorials online before you tackle it.
  • You can use Découpage to spruce up old furniture. It can bring an old dresser, wooden chair, or even a table back to life. You can give it personality for a kid, teen, or even for yourself.
What I’ve described is the basic technique. You can go online to find tons of video tutorials with ideas, tips, and product suggestions. For someone like me—a writer, not an artist—this is a great way to get artsy-fartsy and feel successful at it.

Stalking the Moon
Wyrdwood Welcome
Book One
Angel Leigh McCoy

Genre: Supernatural Suspense
Publisher: Wily Writers

Date of Publication: April 24, 2020

ISBN: 978-1950427055

ASIN: B0832JJRPG

Number of pages: 290

Word Count: 88,868
Cover Artist:  DIStudios.pl

Tagline:  A New Mythology for the 21st Century

Book Description:

Normal life is complicated enough. Add magick to the mix, and suddenly all hell breaks loose!

Viviane doesn't have time for voices in her head or monsters in her bed! Her family relies on her. She's in charge of a mentally ill mother, a sneaky grandfather, and a sexy (but delusional) fiancé. And yet, the whispers in her mind are barging into Reality—with claws and teeth and murderous intent.

When her fiancé goes missing, she'll do anything to find him. If that means magical, mythical creatures hunt her down, then so be it. This could be the end of her life as she's known it, but well… Consequences be damned.



Excerpt from STALKING THE MOON by Angel Leigh McCoy

The staff entrance was on the women’s wing, near the employee parking lot. Out of habit, I entered there. Nurses, orderlies, and doctors all greeted me as I made my way to Richard’s office.
Richard was seated at his desk. "Hey, Vivi. Come on in." He rebuttoned the collar of his white, custom-fitted dress shirt.
"Howdy." I shut the door behind me and went to the leather couch. It was overstuffed with a high back and deep seat. I felt small on it, but that was part of Richard’s evil plot. Plus, it would have been impossible to fall off it while under hypnosis. It cradled me.
"What part of my psyche are we going to poke today?"
Richard folded his arms on the desk, a pen flapping in one hand as he looked me over. "I want to revisit your early days," he said. "I’ve been going through the transcripts of our sessions, compiling them, and there are a couple things I’d like to revisit."
"Let’s get to it then."
The first time I met Richard, back in the early days, he was finishing his last year as a graduate student in the Psychology Department at the University of Illinois. He was in Peoria doing an internship at the counseling center, and Abram had dragged me there to get my head fixed—at the junior high principal’s request.
Back then, Richard had a long ponytail and was every teenage girl’s dream of the older college boy. I was only thirteen, and he was taller than me, though that changed when I had my growth spurt a few years later.
Thirteen-year-old Me had gone into his office with a chip on my shoulder, hating Abram, hating my illness, and hating Dr. Richard Reuter before I’d even met him.
He'd appeared in the waiting room and asked, "Viviane? Right? Would you come with me?"
"I don’t got a choice."
Abram hissed, "Hey," at me, and said "Be nice."
"Yeah, sure."
I walked into the office and went straight to a chair, flopped there, and crossed my arms on my chest. The first thing I noticed that interested me was the plate of cookies on the coffee table. They were chocolate chip and appeared homemade. I pretended not to see them. I didn’t want him to think I was going to stay all that long, and besides, my stomach didn’t feel too good.
Richard sat in the chair opposite me and watched me for a full minute. Finally, he asked, "How old are you?"
"Fifteen." It was a bold-faced lie.
"I know you’re lying."
I asked, "How old are you?"
"Twenty-nine."
"Are you gay?" I said with vehemence, calculating his possible reactions.
He didn’t even flinch. "Viviane, do you know why your grandfather brought you here?"
"Because he’s a sociopath afraid of being noticed. I draw attention to him, and he wants me to stop."
He smiled at that, and for the first time, but not the last, I thought how handsome he was.
In that first session, he didn't hypnotize me, though later, it became a regular part of our therapy sessions. Richard felt it was the best way to track down the source of my hallucinations. He would take me back to the time before my first hallucination, and we'd go over the events of a day or two in each session, gradually working forward through my memories. It was my own personal reality-TV show.
One time, I had what can only be described as a past-life memory, or maybe a dream. Both Richard and I waved it off as an aberration, though I never forgot it. The dream had been wonderful, about a place with emerald hills, crystal streams, and a palace that felt like home. Whenever I thought about it, I could still imagine the smell of honeysuckle on the breeze.
Twenty years later, I was thirty-three, and our regressions were catching up to the conscious flow of time. In the hypnosis sessions, he recorded my soul in bits and pieces, saved forever as audio recordings, transcribed to digital documents, and printed out on paper. He kept the files in his cabinets.
I’d often wondered what would happen when we finally caught up to the present moment. Maybe I’d die. Maybe he’d die. Maybe the entire world would end as the Ouroboros swallowed its own tail.
"All right." Richard got up from his desk. "I’m ready, if you are." He sat in the chair opposite me and leaned forward to turn on the metronome.
I said, "Take me to a happy day."
"You know the drill. Close your eyes, relax, and remember."
Not every tick and tock of the metronome sounded the same. The differences were subtle, but they were there if I listened for them. It was a song without rhyme or reason.
It started small and distant: tick.
The cuckoo clock on the wall at Abram’s house had to be wound. I loved pulling the chains that raised the heavy, metal pinecones. Tock. It had been my job, every morning, when I was a kid. My body rocked to the beat: tick tock. Time ebbed, and space flowed. My spine relaxed. Tick. Gravity released me. Tock. The metronome sang its song in my belly. Tick tock. I was energy, and I radiated.
"We’re going to continue our journey back in time," Richard said. The waves of his voice rippled through me, and the present faded into the background.
I followed the metronome down into a trance. We had a signal. I raised a finger to indicate that I was ready to begin.
"Go back," Richard suggested, "to the moment when you first met Simon, when you were thirteen."
The scene formed around me, inside me, throughout me.
"Describe it to me."
I’m home, and I’m taking a shower. There’s blood running down my leg. It’s swirling in the water and spinning down the drain. I know what it is. Lettie’s had hers since last year, and she took me to buy the stuff I’d need. I’m really glad I didn’t have to do that with my grandpa.
Lettie and me, we read the little instruction book that came in the box and made fun of the pictures. She warned me how it would be, the cramps and mess, but it’s worse when it’s actually happening. It’s scary and weird. I keep thinking that my blood is supposed to stay in my body.
So, I’m standing there in the shower, watching my blood drain away, and I’m trying not to cry, wondering if I’m going to die, and that’s when I hear a man. He sounds like James Bond. "You’re probably not going to die."
I scream and cover my private parts with my hands, but no one’s there.
The voice says, "What I mean is, you are going to be just fine." But nobody’s there. I’m freaking out. I jump out of the shower and run through the house. I’m screaming.
The voice is following me. "Oh, lass, it’s okay."
I streak into the kitchen, and my grandpa is there, trying to calm me down.
I’m crying, naked and wet, shaking all over, blood staining my leg, and Grandpa thinks I’m upset because of my period, but that isn’t it. It’s the man talking to me right next to my ear, when there’s nobody there.
He says his name is Simon.
The metronome sang. Tick. Tock.

About the Author:


Angel Leigh McCoy wears author, game designer, and audiobook narrator hats—sometimes simultaneously. She is the creative force behind the Wyrdwood series of novels and the Dire Multiverse audio drama. She was a senior writer on the award-winning video games CONTROL and GUILD WARS 2. Her work on the White Wolf World of Darkness series included books for Mage, Vampire, Changeling, and several others. She was also the first female game designer on the DUNGEONS & DRAGONS team at Wizards of the Coast. These days, she works from home and is intent on building her own epic worlds, including Wyrdwood and the Dire Multiverse. Her cats approve.










 
Prizes:

1 Audible.com 3-month membership (or 3 credits if you’re already a member). Entitles you to partake of the Audible Originals titles offered free each month to members. (all-told, a $45 value) If you’ve ever wanted to try audiobooks, this is the time.

5 - Wyrdwood Welcome Swag Bags

Each swag bag includes:

-Free ebook copy of JUMPING THE MOON, Wyrdwood Welcome Book #2, due for release on May 15, 2020.
-A “Proud to be Wyrd” pin
-A Wyrdwood magnet
-Invitation to the private and exclusive Wyrdwood Facebook group
-Treats from the “Wyrdwood Candiporium”
-A surprise toy!








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